Inside Patricia Voto’s World of Made-to-Order Fashion

What is one defining moment in your career or life that empowered you to create change, and how has it shaped the path you’re on today?

One defining moment in my life was when I realized the immense power of the women around me—their resilience, creativity, and unwavering support. I’ve been fortunate to be surrounded by incredible women who not only inspired me but also pushed me to trust my own vision and take the leap into starting my own brand. 

I vividly remember a conversation with a close friend who reminded me that my passion for fashion, sustainability, and craftsmanship was not just a dream but a responsibility—to create something meaningful and unique that celebrates individuality and the beauty of what already exists. That conversation lit a spark. It made me see fashion as more than just clothes; it’s a way to tell stories, preserve resources, and uplift the people and communities behind the work. 

This realization has shaped the path I’m on today with ONE OF, my brand that celebrates rarity, sustainability, and craftsmanship. It’s why I champion using deadstock fabrics and focus on made-to-order pieces that honor the individuality of every client. That moment gave me the courage to merge creativity with purpose, and it continues to drive my mission to create change in the fashion industry.

What or who influenced you to become a designer?

I grew up surrounded by women who could cut and sew anything—both of my great-grandmothers were seamstresses and my mother is incredibly creative—so making clothes felt ordinary, almost utilitarian. At the same time, Staten Island, where I was raised never fit me. I’d escape to Manhattan to visit museums and galleries every chance I had. When I’d be home, I’d watch Full Frontal Fashion and sketch on my bedroom floor listening to the designers share their inspirations for the season. Fashion struck me as the most direct way to question norms and rewrite how we present ourselves to the world. So it wasn’t one dramatic epiphany—just a steady realization that clothing is a pragmatic tool for self-expression and social commentary.

What was the process behind the look featured in this issue?

I wanted structure paired with softness. We used upholstery textiles from Bevilacqua with other archival and antique sources because their weight holds shape without extra padding, and their history adds depth to the garments. The checked jacket relies on a pared-down hourglass pattern: narrow waist, generous hip, and a broad shawl collar to open the face and make it incredibly feminine in its tailoring. For the patchwork coat, boning establishes strictness at the waist, while raw edges keep it a bit gritty and textured. For more dimension, we used the reverse as well as the face of the fabrics.

What do you want your designs to reflect to people?

That they are partners in the process. We produce on demand; the wearer chooses fabric and finish, so the piece becomes theirs before it leaves the studio. I want the craftsmanship to be visible, the sustainability implicit, and the final effect of feeling both powerful and personal—clothes that serve daily life while quietly signaling thoughtfulness.